Posts tagged leather
Couranteer in the works

Couranteer in the Works.

I’ve been working away on bags for the last few weeks, This Couranteer being one of the last few in this batch. I’m a about a week and a half’s worth of work in on this one. Once I get to this point it all comes together pretty quickly. Relatively speaking

As I work away I’m thinking about all that has changed with the way I make these. I dye all this leather by hand. It is a three day process that has to take place before I even start making anything out of it.

There isn’t really anyway to recycle leather. I can’t melt it down, or kneed it back into a mound and start again. Once I start cutting the leather down every step I take is one I’m committed to. If the knife slips a little while I’m cutting out the edge of the body of a bag I can’t call my customer and ask if it’s okay to deliver a Couranteer that’s 13.5” wide instead of 14”. If the knife slips I have to start over. Hopefully it’s early on in the process. Rather than a few weeks in.

The knife has slipped more times that I’d like to admit. When it happens there is a whole grieving process. At first I can’t believe it happened. Then I try to convince myself that it’s fixable. Finally comes acceptance and I start over.

Ten years in I’m cutting out the parts slower than I ever have. I’ve done this hundreds of times at this point. Yet still in my head I’m double checking every step I’m taking. I have an itemized list in front of me with each little step written out. I check it as I go. Like an anxious novice looking over a recipe.

The knife makes a cut following along a groove I’ve made to demarcate the borders of the body panel. This first pass with the knife makes the trench deeper. The next pass with the knife will make the trench deep enough to hold the knife to the line. The third cut will pass the knife all the way through the leather. Slowly. Slowly progress is made. One pass at a time.

It has become a mantra I recite to my students in class. Go slow. Pay attention to what your hands are doing. Get each step right. It all adds up. Go slow to go fast.

The body panels are cut out and I’ve moved on to the pockets and gussets that will make the sides of the bag. This is what I’ve done for weeks now. This level of concentration requires all other work to stop in the studio.

As I cut and shape I’m thinking about the future of these bags. Three different weights of leather. Hardware. Strap leather. The commitment to dyeing all that leather. The concentration required. Thousands of spent dollars sitting around me waiting to be made into a bag. This system works when I’m doing nothing but bag making. When I’m doing anything else it’s thousands of spent dollars sitting around not doing anything. Slowly drying out and becoming stiffer and harder to work with.

I honestly don’t know where the future lays with these. I’m proud of my designs. I’ve never had to be pushy with selling them because there really isn’t anything else out there quite like what I make, If you want a nice bag there are lots of options. If you want one like what I make there really aren’t.

At the same time they are so resource intensive that I can’t really experiment with them. In every other area of my practice I’m making progress. Advancing my style. These haven’t changed.

In these few weeks of bag making I’ve done little else. All my other work is on hold while I do them. It’s coming down to math between sticking with what’s comfortable and safe in the past and what holds promise and potential for the future. I wish I could do both but it is becoming increasingly obvious to me that I can’t. There aren’t enough hours.

On any other decision the math is easy. I move forward. It’s what I’ve always done. These are different. I use these bags every day. I get stopped on the street and asked about them. I still catch myself looking across to studio at the display models thinking “Damn. I made that.”

But to stay on that path means giving up the one that I’m headed down. I just don’t think I’m the kind of person that can stay in one place like that.

It would be nice to end this with a clean ending. I don’t have one though. As I work through this bag I’m working through what to do about them. Slowly. With patience. Committed to each step. Watching my hands, checking the plan, thinking of the finished picture, trying to not let the knife slip.



Making a Mercer Briefcase Part 2.
Hand dyeing and burnishing vegetable tanned leather.

Making a Mercer. Part 2.

Hand dyeing.

I started Wright & Rede with $150.00 I had set aside from my tips waiting tables in a restaurant. In the early days I had to be creative with how I spent that money.

Leather is typically sold by the side (half a cow). On average that’s 20 square feet and can cost between $100-$300. So in the beginning my $150 would buy me one side, which meant one color of leather at a time.

I realized that if I purchased un-dyed leather I could have all the colors I wanted if I dyed it myself. Problem solved. I soon discovered that hand dyeing is an art form in itself. There is a reason large scale tanneries do it with sprayers or in vats.

I’d describe hand dyeing as similar to watercolor painting. I have a rag loaded with wet dye. The first place I set it down on the leather is going to get a big dark blob. Then there will be streaks, blotches, and areas that just don’t take as much dye. It used to drive me nuts. I wanted the uniformity I saw in professionally dyed leather.

It was when I stopped looking for something that looked factory made that I really started to see the potential. I’ve always belived that the best crativity comes from limitations. So I leaned into the inconsistencies.

After eight years of practice I’ve developed a method I’m pleased with. Using heavy dilutions of dye combined with multiple passes, and some confidence with what I’m doing, I am able to produce work that is unique to me. No one will ever be able to apply dye in quite the same way. Much in the same way two painters will paint the same scene differently or that no two finger prints are the same.

As a result each and every piece I make is completely unique. What I once saw as a handicap has become something by which I define my style.

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Meet the Hillard Front Pocket Wallet
The Hillard Front Pocket Wallet

Say hello to my little friend. 




Meet the Hillard Front Pocket Wallet. 



-- HILLARD A roofer; a tiler or slater.



This was the most requested design I don't make. To be honest I refused to make them for a long time. It's a very popular style of wallet but I never felt they worked very well. I've tried them in the past and discovered that once you fill the pockets on the outside with cards it's nearly impossible to get anything in or out of the center pocket. And that's really annoying.

 The answer turned out to be a simple redesign. One side of the wallet is left open halfway down the side. This allows for the wallet to expand while still leaving the center pocket accessible.

The divided seam for easy access.

The real test was seeing if that would make the center loose enough that things could fall out. I ran a test by leaving the exterior pockets empty, placing a single business card inside, turning it upside-down, and shaking the hopes and dreams out of it. Worked like a charm.

The fully stitched side held the card in place regardless of what I subjected it to. The result is a super slim wallet with easily accessible slots for cards and cash that fits perfectly in a front pocket (or sure a back pocket, suit jacket pocket, loose in a tote if you want to be a rebel). 

Why call it the Hillard? If you turn it upside-down I think the pockets look like roof shingles. There is a method to my madness. 

The Weathered Leather Experiment Month 5.

I wasn't expecting too much to change last month. With the subzero arctic temperatures most of the bracelets are not getting much sunlight. It's like S.A.D.D. but with bracelets.  There is still quite a bit of variation considering that they all looked the same five months ago. 

 

#1

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#2

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#3

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#4

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#5

No Image.

 

#6

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#7

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#8

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#9

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#10

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#11

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#12

No Image.

 

#13

No Image.

 

Weathered Leather Experiment bracelets three months in (the It's in the Mail Edition).

Well, I'm not sure what to say. I blame the holidays.  Here is the Weathered Leather Experiment bracelets three months in (The It's in the Mail Edition).

 

**Editor's Note** #4 & #9 were photographed by me at the Last Minute Market. Thanks for stopping by folks!!!

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#10

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#11

 11

#12

 Hopefully #12 isn't still sitting out in the vineyard?!?!?

 

#Bonus Round

Bonus

The Great Weathered Leather Experiment

**Applications are now closed. If you are just getting here from Facebook or Instagram make sure to sign up for the mailing list to get the drop on fun projects like this.

 

I spend a lot of time talking to people about how the leather I use  is the kind of leather that ages well. There is a lot of use of the word patina. It's a beautiful and individual thing, but kind of hard to show people if you don't have lots of well worn stuff.

The even cooler part is how each piece will develop its own character based on how the person uses it. Every item I make is handmade and unique, but that is only half of the equation. The other half comes from the people who buy it, carry it around, beat it up, and live with it.

So I have devised an experiment. Twelve lucky individuals will receive a free bracelet. Each one will be numbered and unfinished. In exchange for this bracelet I ask that they document the aging process over a twelve month period.

The nitty gritty:

  • These are free. You don't have to pay anything for them.
  • Each bracelet will arrive unfinished with a single coating of oil on it.
  • Each will have a number so we can all keep track of them.
  • Once every month I will send out an email reminder asking you to snap a photo of your bracelet and fill us in on any interesting developments in the life of the leather (IE. my dog chewed on it. I spilled beer all over it. I took it to the beach. I just put some conditioner on it...)
  • By submitting photos you will be giving me permission to publish them on the internet. I will not share any of your private information with anyone, ever. Instead there will be an update, for example,  from bracelet 3 of 12 with the picture you shared that month.
  • Only one bracelet per person.
  • Only 12 bracelets will be made available.
  • Please measure for bracelet size carefully as I will not be replacing mismeasured sizes.

The don't be a jerk clause:

  • Hey, don't be a jerk. Yes, it is free, but I expect you to send in some pictures and follow up on my emails. I'm too small of a business to give away stuff for nothing. So please help me out and stay on board for the full 12 months.

If this sounds like fun to you email me at Rede@WrightandRede.com with the subject line the "The Great Weathered Leather Experiment."  I will only accept the first 12 emails I receive. Sending multiple emails will only annoy me. If you are one of the first twelve I will send you an email asking for your bracelet size and the address I can mail it to.

Looking forward to seeing how this works out. Stay tuned for exciting updates.